Anne Bishop - The Others [ongoing] Genre: Fantasy Written In Red #1 . Anne Bishop - The Others 03 - Vision in tronunbucambrin.tk KB. Written In Red (The Others Book 1) - Anne tronunbucambrin.tk KB. Murder of Crows (The Others Book 2) - Anne tronunbucambrin.tk KB. A brand new series from popular author Anne Bishop. Enter the world of the Others Meg Corbyn is on the run. Alone and desperate, and ill-equipped to deal .

Written In Red Anne Bishop Epub

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J9H8ehfdg - Read and download Anne Bishop's book Written In Red in PDF , EPub online. Free Written In Red book by Anne Bishop. BOOKS BY ANNE BISHOP THE OTHERS SERIES Written in Red Murder of Crows Vision in Silver Marked in Flesh Etched in Bone THE BLACK JEWELS. anne bishop epub vk anne bishop read online anne bishop goodreads anne bishop ebook bike anne bishop lake silence anne bishop written in red.

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Written in Red

I enjoyed the plot, the set-up of the world and some of the main characters and just how unusual and different this story was. Completely unconventional and totally enchanting. View all 22 comments.

Buddy read with my wonderful friend Nina. Let's do this! D "Of course, if Meg had taken shelter somewhere else instead of stumbling along until she came to the Courtyard, she might not have found them, and he might never have known her.

So maybe Namid was wise to make human females do foolish things. I'm still trying to collect myself. Thus, I'm not in the position to guarantee that the following review will contain more than incomprehensible gibberish.

I apologise in advance Buddy read with my wonderful friend Nina. I apologise in advance. I won't say that Written in Red was a surprise for me.

I already knew I was likely to appreciate it, thanks to some reviews I had read and, above all, thanks to a couple of friends of mine who claimed this series was a hidden jewel of the urban-fantasy world.

So, no, I'm not surprised that the quality of this book is so high; but for sure I am astonished by how much I enjoyed , loved and adored it. If you have already read some of my reviews, you must know I never provide a short summary of the plot, not even the slightest description of what the book is about, before writing down my opinions.

Very probably, more than a few details emerge just the same, given how specific I tend to be when analyzing the different element of the book, but that's all.

You will almost never find in my reviews a sentence like "This book tells about". Even more so, you won't find it in this one.

The Others Series

I knew literally nothing about the plot when I started reading Written in Red , except that there were werewolves and vampires, and I strongly feel this played a part in my overall enjoyment, which, as you may have guessed, was very, very high.

It is well-structured , solid , not too fast-paced nor the opposite. It is exactly the kind of plot a first book in a series needs: Moreover, this is one of those plots which are not composed of a single narrative thread -what I like to call 'multiplots'.

And the thing about these category of plots that makes me fall head over heels is that at the end, in those hectic moments of the final battle, or anyway in that which is the climax of the whole story, it turns out that all these separate storylines converge into one.

You already know they are meant to, of course, but every single time I think of it as a little narrative miracle. It's so satisfying. And it's not as wasy as it may seem to 'reduce' the intricacy of such a big multiplot in just one key moment. I do not have any other word. I loved its richness, its impeccably neat complexity, and can only admire and worship Anne Bishop for the coherence, the attention and the work she put in shaping it.

A plus. Anne Bishop uses the third-person, which she surely knows how to employ and thus had me sold completely after only one page I'll always chose the third-person narrative over the first-person. Besides, she has such an enticing way to write, with her full and well-turned sentences and rich descriptions.

She is always precise about what the characters do and how, and this gives her writing a sort of concrete, material quality that I cannot explain. Her style gives the world she lays down for us a texture and a consistency that made it easy for me to attune to the story itself.

Anne Bishops writes as if she is shaping something material. Her writing is a sculpture. The blessed characters.

If you love books that feature a respectable but not so much cast of characters, each one unique and adorable and that's the case to add: A prophet, Wolves "big and scary and so fluffy" , Sanguinati what did you say? Oh, please, only meat- humans! Only humans call them vampires , a girl who's probably Medusa's daughter or anyway a close relative of hers, Crows really a lot of them , Howls, a Bear, a Coyote, a couple of mice that will be quickly eaten.

And I've surely forgotten someone. Besides, did I mention that one of the Wolves is a pup? His name is Sam and I swear on my heart, you've never met anyone more pretty and cuddly than him. And did I mention another one of the Wolves is Simon Wolfgard? He made me melt in a thousand ways. View all 71 comments. Feb 08, Jen Davis rated it it was amazing. I really enjoyed this book -- for a lot of reasons. I can't recall the last UF book that portrayed monsters as, well, monsters.

The Others in this world Anne Bishop has created aren't sexy. Or emo. Or anything like human. They see humans as monkeys They eat them. And they make no apologies about it. There is a woman that comes into their world, though, that makes them see all humans are not created equal. Some may be worthy of their protection and friendship. Meg is a cassandra sangue I really enjoyed this book -- for a lot of reasons.

Meg is a cassandra sangue, a blood prophet. Women of her kind spend their entire lives imprisoned and bled for prophecy. But she uses her gifts to escape. She seeks refuge in the Courtyard, the land of the Others, and takes a job as their human liason. The Courtyard leader, Simon, senses something different about her. His wolf senses categorize her as "not-prey," though he doesn't understand why. It isn't until after Meg has wound her way into the affections of those who live in the community, that her true nature is exposed.

Then, they must all band together to protect her from the humans who want to get her back under their thumbs. The only very small criticism I have about the book is that Meg is a little too-good-to-be-true. The book does acknowledge, though, that her emotional innocence is part of her heritage. And she is just so damn likeable! Simon is the male lead, but I wouldn't call him the hero in the traditional sense. You can clearly see a bond forming between him and Meg, true, but this isn't a romance.

Maybe later?

I would like that! It's all about the way this woman plants the seeds of change in the Courtyard community with her goodness. Her simple kindness and positive approach manage to break down the prejudice the Others feel toward humanity. As the story unfolds, we see the characters among the Others become richer and more developed through their interactions with her.

Yet they don't lose their edge. We never forget they are vastly powerful or that they are killers. Simply put, she becomes theirs.

The secondary characters are plentiful and add so much to the story. By the time the book was done, I felt like I knew the beings who inhabit the Courtyard. I cheered for them. I rallied for their defeat of the humans who turned out to be an entirely different breed of monster.

The tone is dark and intense. There's plenty of tension and action. I'm really looking forward to taking the next step on this journey! View all 7 comments. As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. This book is the first book in the Other Series and it has been on my the forever.

I don't know why it has taken me so long to read it. I love usually don't read ur As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. I love usually don't read urban fantasy but have seen so many glowing reviews that I finally decided to read it.

I loved Meg and all the other characters. I really don't know who I loved the best. I loved the world. These creatures aren't human and they shift. I was totally captivated and it was gripping from the very beginning to the very end. I am so happy I found another series that I love and can't wait for the next book.

I read this with my buddy, Susan and we will both be reading the series togethor. View all 36 comments. Sep 25, Bradley rated it it was ok Shelves: I'm rather surprised that I didn't get into this nearly as much as I had hoped I would. Something wasn't clicking with me, and as I kept reading, I spent way too much attention on other things.

Like little things like why I ought to care. I expected Urban Fantasy, and to me, it doesn't even remotely equate with sparkly vampires or huggable monsters of any stripe.

I like grit. I love plot. Characters are everything, but if I had to place all my hopes upon one thing and one thing only, I'd say it h I'm rather surprised that I didn't get into this nearly as much as I had hoped I would. Characters are everything, but if I had to place all my hopes upon one thing and one thing only, I'd say it had to be conflict. For way too long in the novel, there was no real conflict. Sure, we have the Others and the Monkeys.

We have Meg running from her past and her late-revealed ability. That's all out there as a potential conflict, but in the meantime, we've got growls and innuendo and something that smells entirely of a different kind of novel. Like I said, it took me a long time to figure it out. But it dawned on me: If you ignore all the light fantasy elements, what we've really got is a novel about an awkward girl from a bad home that ran away and took up living with a gruff immigrant community, and specifically with a mean-sounding bookstore owner with a heart of gold.

She gets bedazzled into being a jack-of-all-trades and she eventually gets adopted by the enclosed community. Mary-Sue syndrome? Self-esteem issues boiling down to cutting, but magic making it a useful trait? Yeah, there's that, too. If there hadn't been magic in the novel at all, it might have been a rather heartwarming tale about a kid finding a community to belong to, with other heartwarming elements like befriending the abused puppy, discovering that sorting mail really is interesting as long as you can use REAL PONIES I mean elemental steeds And you know what?

I might have been more at home in this real-life setting kind of tale. I'd likely have attached to each character more deeply. And you know what really scares the living shit out of me? I never pine about how a tale might have been better-served vanilla.

And yet, I just did. There were a few elements of magic and history that were promising, such as the drowned city. Maybe if a little bit of the plot had revolved more around the implications of the magic rather than just being bad ass and driving away all the bad monkeys, I'd have at least had that to point at, but as it was, almost the entire novel was mundane this and mundane that. I wanted to like this more.

I really did. The end action was, unfortunately, too little, too late. The magic and the UF elements were too bland. I couldn't even taste them through the mundane. Needs more spice. I'll read the next in the series later this month because I've already promised that I will, but I really hope it picks up with more real conflict than this. Mundane conflicts are mundane conflicts. They appear larger only as long as there's nothing else to compare them with.

Once you add some truly breathtaking conflicts, the rest of it just fades into the background. Maybe for some readers, all this mundane buildup served the function of complex character building, but I haven't seen that much in the way of character development or change except in how Meg is no longer prey and is accepted.

Of course, all of that could have been accomplished with some severe editing out of or so pages until we were left with an actual interesting story with all the fantastical elements not being drowned out. Here's to hoping it gets better! View all 29 comments. Mar 16, Tatiana rated it liked it Shelves: This urban fantasy is for those who like to read about sorting mail, training wolf puppies, staff meetings and snow. Evidently, I do, but to a degree.

Interesting mythology, but WAY too much attention to unnecessary minutiae. It's too much when repeated 20 times in a book. All logistics and meetings in this story are super boring. And no romance.

On the secluded island that is my mind, a new series as good as The Others is more rare and more coveted than a fresh batch of blueberry muffins. And I do love my blueberry muffins. It should be mentioned that Written in Red leans more towards the fantasy part of urban fantasy. In Written in Red, we familiarize ourselves with Thasia and its inhabitants. In Thasia, Others live in compounds where they govern themselves.

Their contact with humans is extremely limited, which is for the best. Any human who breaks a law of the Others ends up eaten or worse. The terra indigene are not human. They are supernatural creatures that acquired human skin because it suited them for some reason. If visitors to the courtyard expect them to react and behave like humans, they are most likely to get eaten. To them, humans are monkeys, and they only tolerate them because there are certain human inventions and products they enjoy.

She is physically weak from being imprisoned all her life and her knowledge and social skills come from carefully selected photographs and video clips.

But despite her obvious weaknesses, there is a certain strength in her quiet, persistent ways, a steel spine in her small, fragile body. Simon Wolfguard is a true alpha male if there ever was one notice how I wrote male but not man!

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Just thinking about it is painful. View all 12 comments. Jan 07, thefourthvine rated it did not like it Shelves: Okay, first, a warning: Don't go near this book. Don't even finish this review.

You'd be better off reading Moby Dick backwards while dangling upside-down by a toe. Actually, everyone would be better off reading Moby Dick backwards while dangling upside-down by a toe.

This isn't just a bad book, it's an actively awful one on virtually every level. I finished this book so mad I came back t Okay, first, a warning: I finished this book so mad I came back to GR for the first time in years to write this review. And then I stared at the blank box for weeks, wondering how to encapsulate all that was terrible about this book in one review.

My conclusion: I can't. So let's just hit the lowlights, discussed here in no particular order because you can't really rank disasters of this magnitude. Hero Confusion This book has no idea who its heroes are. The nominal good guys, the ones the narrative wants us to root for, are the "good" earth natives supernatural entities of many varieties -- werewolves, vampires, elementals, etc.

The earth natives have powers that far overwhelm any human's abilities. A single earth native of the weakest variety can kill many humans. The most powerful varieties could kill every human on a continent without much effort, and they have no weaknesses at all.

Because might exclusively makes right in this world yeah, we'll get to that , the earth natives own everything in the Americas. And most things everywhere else, as far as I could tell, but the worldbuilding -- we'll get to that, too -- is super shaky, so I'm not sure. The earth natives control resources, transportation, food, water, everything. And they can take any of that away from the humans, any time they want to.

Written in Red

They can also, of course, just kill them. Just sometimes it's more fun to make them eat their loved ones first. This is textbook oppression.

The most powerful control everything and will kill you or take away what you need to live at the slightest hint of dissent. And we're expected by this book to actively root for the oppressors to continue to dominate and oppress.

I couldn't manage it. Oh, and I mentioned that there are good and bad earth natives, according to the narrative. What separates them? The good ones only kill and hurt some humans. The bad ones want to kill all the humans. When the good ones get angry, they only kill or hurt the people who pissed them off, plus a random selection of other humans who had nothing to do with it.

When the bad ones get angry, they kill every human in a town or larger area. That's…like, it's an improvement not to kill everyone, sure, but. It doesn't make you good. It doesn't make you acceptable. I'm not going to like you just because you hurt innocent people less. The hatred oozes from every page. It's not even mostly that. It's that Bishop has structured this world based on the following principles: Might and only might makes right.

See a Problem?

Humans are weak. Women, even when powerful, are weak. So you get a ruling class made up of earth natives, and who rules the earth natives? The dudes. The female earth natives may have phenomenal cosmic powers, and many of them do, but they don't make decisions. They serve. They cook.

They clean. They care for children. They admire shiny objects. And that is all they get to do. And the human women, being in two despised classes human and female get even less.

The main female character, Meg, is a classic Good Woman Victim, having been raised in captivity, abuse, and total isolation …and yet somehow she's able to function in society; sadly, I'm not going to have room here to cover the unrealistic pile of damaging crap that is this book's approach to trauma , with her actual life starting at the beginning of the book.

She finds work as a clerk and gets adopted by the earth natives because she's -- well, nice to them? I guess?

And also does her job better than her predecessors? It's never made clear. But her weakness is emphasized again and again, from her inability to get over a countertop played for laughs to her inability to make choices for her own body repeatedly taken from her by many characters to her helplessness and need for protection.

She's the classic heroine who does not do but is done to. Her main ability is to hurt herself. No, seriously, that's her gift: It's frustrating as hell.


The male main character, meanwhile, is everything you ever hated about the dominant male werewolf stereotype multiplied by ten, with a heaping helping of oppression thrown in. The only really interesting character is Asia, a woman who attempts to do things for herself, investigate, learn stuff -- except she's the buffoon bad guy, depicted as an over-the-top scheming moustache-twirling villain who should burn, burn, burn for her crimes of…using what she has to attempt to get ahead in this oppressive society that limits her choices.

As is the inevitable fate, in Bishop's world, of women who do stuff and make choices. The Worldbuilding Is a Disaster. A Racist, Racist Disaster. Okay, so, Native Americans. You remember them, right? Well, they…don't exist in this book. They never existed, as far as I can tell. And they aren't just erased, either.

They are explicitly turned into monsters. The little legend at the front of the book describes the European colonists arriving in the New World and trading baubles and cloth for land rights. That actually happened, except it was to actual people who were then horribly abused and killed. But no, here, they were all-powerful monsters! The heroes were the brave, noble, outmatched colonizers! This story attempts to reclaim the colonizers as heroes myth, while apparently turning Native Americans into non-human monsters.

I'll give you a second to settle your stomach. But once you've swallowed that giant, choke-inducing, rotten pill, you have to swallow a whole bunch more tiny crap-flavored ones. Bishop has no explanation for anything in this book. Why did human society develop along such similar lines, with similar governmental systems, for example, when everything is so different? The earth natives were always there!

The human government has been a sham from the start! Why would it look like ours? Why would the police system look like ours? Why would the entertainment industry be like ours? Why are the same inventions present when access to raw materials is tightly controlled by the earth natives and there are far, far fewer humans?

Innovation should be stunted, but -- I guess it isn't. I could sit here all night coming up with these questions. None of them is ever answered, or answerable in a way that makes logical sense.

TL;DR If you can ignore the misogyny, the racism, the utter senselessness, the hero confusion, and the other flaws of this book, it's a page-turning id romp.

If you read it with your brain turned on for even a single second, the whole house of cards will collapse and you'll be left with absolute seething fury. At this book, at this author, at the people who published it, at the place that sold it to you, at the paper it's printed on.

Read something else. Almost anything else. Read Ilona Andrews' Burn for Me and discover what urban fantasy looks like when it doesn't hate women. Read The Martian and discover what page-turners are like when they don't leave you feeling dirty. Or read this. In which case, I wish you strength.

You'll need it. View all 15 comments. Oct 10, Sanaa rated it it was amazing Shelves: I'm not sure exactly what I expected going in, but I did think this book was going to be fast paced with supernatural creatures living amongst the humans and some kind of supernatural police force cleaning up problems around the city.

I've read three other urban fantasy books with this kind of beginning: I feel lik [5 Stars] Goodness, this was an absolutely fantastic urban fantasy novel. I feel like it is a kind of urban fantasy novel I am familiar with, at home with. This wasn't that kind of Urban fantasy novel, but it was still absolutely fantastic.

I love the way Anne Bishop re-imagines the relationship between the supernatural beings and the humans, the fact that the humans are the ones who have to deal with the whims and fancies of the supernatural creatures not the other way around. It puts the world in such an interesting light and makes the human-supernatural interaction all the more exciting and wrought with tension. Bishop also manages to have some of the most believable and relatable characters ever.

You see their anger, compassion, and their dangerous natures, but you also see them at their goofiest with their guard down. Meg is also extremely endearing, and you can't help but love her. She is strong without being physically strong. She is spirited and smart and selfless and wonderful and I love her. One thing I will say about this book is that it is a little slow. It isn't your typical fast paced urban fantasy, but I didn't mind that. I was engrossed immediately.

I love the world building and the characters and the implication for later books. Also, can I just say I adore the Crowguard? I love them and the ponies so much! That being said, you need to read this book. It was absolutely fantastic! View 2 comments. I read this book in February and binged the series finishing the last book in March If you are thinking of dipping your toe into this genre I strongly suggest this series The question I ask myself is what took me so long to read this book?

My favorite part of books are the character and the character development Meg the female protagonist was so well written My favorite of these secondary characters being the bear, the crows, and of course Tess I also really liked the part the elementals and the ponies played in this Will definitely be reading the next book in the series very, very, soon! No, they could not kill the sweet blood not- Wolf, the one called Broomstick Girl in the stories that winged their way into the wild country and amused even the most dangerous forms of Elders.

A different question. A caught-in-thorny-vines, stuck-in-the-mud kind of question. Some returned to the wild country, retreating from any trace of humans, while others chose to resettle in towns that had been reclaimed—places that had buildings and human things but no longer had people. The teaching stories told them there were different kinds of humans, but what made one human respectful of the land and the boundaries that had been set while another killed and left the meat, or tried to take away the homes of the feathered and furred?

The HFLhumans had made war on the terra indigene. Were there other kinds of humans who were enemies—kinds the Elders did not yet recognize? Were there human traits the terra indigene should not absorb? Where could they go to study humans closely enough to learn what could not be allowed to take root in the reclaimed towns? As one, the Elders turned north and east, looking in the direction of Lakeside.

It also had the Wolf and howling not-Wolf who intrigued so many of the Elders. Witnessing the stories that would flow into the wild country was worth the risk of human contamination.

All of them were curious, but only two Elders —a male and a female—were chosen to spend time on a small piece of land surrounded by humans. Satisfied with their decision, most of the Elders returned to their pieces of the wild country, while the two selected for the task of studying the human pack began the journey to Lakeside.

E CHAPTER 1 Windsday, Messis 1 ager to join his friends for an early-morning run, Simon Wolfgard, leader of the Lakeside Courtyard, hurried toward the terra indigene Wolves who were using trees and shrubs for camouflage as they watched the paved road that looped the Courtyard. Actually, they were watching the man who was riding on the road at an easy pace. Blair growled. It was a soft growl, but the human suddenly scanned the area as if his little ears had caught the sound.

Nathan added.

Simon said, a little concerned about their focused attention on a human they knew fairly well. Karl Kowalski was one of the human police officers who worked directly with the terra indigene to minimize conflicts between humans and Others.

Because of that, he had been labeled a Wolf lover and had had his share of conflicts with other humans. Must have been loud enough for human ears, because Kowalski started to pedal a little faster.

Humans had ridden bicycles up to the Green Complex as well as a few other places in the Courtyard, and the Wolves had been intrigued by the two-wheeled vehicles. But those instances had been about transportation to or from a task. This could be something else. Jane, the Wolfgard bodywalker, asked hopefully. Nathan said. Blair asked. Nathan replied. Still, they could offer to play. Simon really wanted to chase one.

The Wolves charged up the road, Simon and Blair in the lead as they swiftly closed the distance between the pack and their play-prey. But would they have a game? Kowalski looked back.Absolutely musical and perfect. Both sides have created a truce in order to co-exist.

Read Ilona Andrews' Burn for Me and discover what urban fantasy looks like when it doesn't hate women. The earth natives have powers that far overwhelm any human's abilities. My hubby and I were walking to a basketball game Our Arizona Wildcats are doing really well and were talking about books and what we were reading. Read something else. This could be something else. Very probably, more than a few details emerge just the same, given how specific I tend to be when analyzing the different element of the book, but that's all.

She is a Blood Prophet, which means when she cuts her skin she sees prophecies of the future for who or what she is focused on. Characters are everything, but if I had to place all my hopes upon one thing and one thing only, I'd say it h I'm rather surprised that I didn't get into this nearly as much as I had hoped I would.

RHODA from West Valley City
Also read my other articles. I have a variety of hobbies, like locksport. I do relish studying docunments officially.